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New Domesticity

The home functions as a container as it separates what’s public into private space. I’m curious how the intermediate space of home and personal possessions and the meaning we place on them factor into daily identity and sense of self. What is the role of ritual, memory, and affect? And how does the exterior space outside home--the larger culture, human systems, and material objects we encounter influence and even root within the home?

In New Domesticity I am digging into how home and our roles are thought about while critiquing modes of representation historically of the home through advertising, television, and movies. I am actively asserting less-represented stories into the photographic canon. I am interested in the negotiation of the home space, how people are considering home and their roles in it, and the intersection between overarching cultural ideas and personal manifestations of home.

Though I am photographing a large selection of people I make a point of representing queer individuals and families as I’m very interested in their relationship to the home and domesticity. As in my own family, I have found a queering and subversion of the home space because of deliberately having to choose our roles rather than falling into the heteronormative gendered traditions. Furthermore, there is a long history of the private space of the home providing both refuge and safety to the queer community. The home is a space for potential where our most inner beings are nurtured, developed, examined, and satisfied.

To hear a short excerpt of the audio installation Domiciliary please visit:
https://soundcloud.com/loisb-2/discussing-domesticity

Susie, Forrest, Asa, and Laura. 2018

Susie, Forrest, Asa, and Laura. 2018

Leo and Michael. 2022

Leo and Michael. 2022

Willie Mae, 2022.

Willie Mae, 2022.

Nathaniel, 2022

Nathaniel, 2022

Sandra and Joey. 2019

Sandra and Joey. 2019

Peter, Eliza, Eula and Abigail. 2018

Peter, Eliza, Eula and Abigail. 2018

John and Joe. 2019

John and Joe. 2019

Naya, Darrell and Annie. 2018

Naya, Darrell and Annie. 2018

Clarity, Adena, Elias, Amber and Katie. 2018

Clarity, Adena, Elias, Amber and Katie. 2018

Chloe, Harper and Stan. 2019

Chloe, Harper and Stan. 2019

Sharath, Nirmal, Suhas and Sahitya. 2020

Sharath, Nirmal, Suhas and Sahitya. 2020

Daniel, 2022

Daniel, 2022

Frank, Makeal, Orla, and Colin. 2019

Frank, Makeal, Orla, and Colin. 2019

Nalin, Tanya, Vibhooti, and Vanna. 2018

Nalin, Tanya, Vibhooti, and Vanna. 2018

Alden and Alan. 2022

Alden and Alan. 2022

Ashley and Emry. 2022

Ashley and Emry. 2022

Amaya, Sachin, Sanjiv, Solomon, and Angie. 2019

Amaya, Sachin, Sanjiv, Solomon, and Angie. 2019

Ra, Seynabou, and Jared. 2022

Ra, Seynabou, and Jared. 2022

Ruth, Soteria, and Matt. 2018

Ruth, Soteria, and Matt. 2018

Todd, Katie, Scout and Lucca. 2019

Todd, Katie, Scout and Lucca. 2019

Barbara and Mya. 2022

Barbara and Mya. 2022

Maryann. 2022

Maryann. 2022

Alex, Kat, Que'Marion, Shannon, and Hadley. 2021

Alex, Kat, Que'Marion, Shannon, and Hadley. 2021

Installation view from the James Watrous Gallery, Madison. WI 2022

Installation view from the James Watrous Gallery, Madison. WI 2022

Installation view from the James Watrous Gallery, Madison. WI 2022

Installation view from the James Watrous Gallery, Madison. WI 2022

Installation view at Diablo Valley College. Pleasant Hill, CA ,2019.

Installation view at Diablo Valley College. Pleasant Hill, CA ,2019.