To commit to memory delves into my parent’s life, particularly their conservative Evangelical traditions and how this plays out within the home. The genesis for this series was a video piece, Thank you Jesus, for what you are going to do, I made of my mom’s daily practice of planking while reciting memorized Bible verses. After completing the video in March 2020, I questioned what does it mean for me, a queer and atheist artist, to share work about deep devotion/faith? Being on different ends of the political spectrum, my parents and I constantly straddle a wide ideology chasm yet somehow, we negotiate and bridge our differences through this project. I’m interested in how the labor of looking can be a type of active listening that leads to understanding. This has led to this in-depth series looking at their complex personhood while wading through my own position.
Through photographic re-enactments, I examine domesticity, power relations, ritual, faith, aging and memory. I look at the house as a container and how it has been marked and manifested through their everyday movements, aesthetics, and use. I'm interested in both the imprint they've made on the house but also the imprint the house has made on them. What is the space of knowing? Knowing through familial relationships, knowing connected to routine and ritual, knowing in conjunction to where we spend our time. And how is this linked to our memories?
Within the series, there are four video works, an audio installation, and over 150 constructed portraits and house studies.
Each portrait is dually titled. My parents and I each developed our own caption for each photograph. The top title is my parents and mine follows.
Please email in regards to viewing the full video pieces.
Thank you Jesus, for what you are going to do. 2020 is a film by Lois Bielefeld chronicling her mother's daily planking practice while reciting her Bible memory verses. Here Sally recites the entire book of Philippians while planking for over 13 minutes. While considering deep faith and ritual Lois inquires into the parallels of physical strengthening/conditioning and memorization. Through memorization of a text what does it do for the body, mind, and spirit?
Dad and Chair. 2021 (14h:13m) This piece began at 9:07AM just after my dad came downstairs to begin the day. It chronicles one waking day in his chair from when he initially sits down to when he goes to bed at approximately 11:30PM.
In Between two mothers and two daughters. 2021 Lois digs into her mother’s daily scripture memorization practice through a quest to find a personal text to memorize. In mimicking her mom’s practice Lois strives to understand what memorization of a text does for the self. Following other threads of knowing such as attempting to play a Bach Sonata after 25 years or climbing her childhood tree Lois examines the act of doing, inscribing on the mind, and embodied knowledge through different forms of understanding self, memory, and one’s personal history.
Inheritance: the space between breathes. Recitation #13. 2021 is the 13th attempt to recite Juliana Spahr’s untitled poem from thisconnectionofeveryonewithlungs. Through mimicking Lois’s mom’s daily practice of memorization Lois repeatedly attempts to understand through memorization and inscription of a text on the self.
The most nutritious part, 2020
Sequence of 24 photographs
Installation Pictures from To commit to memory exhibition at Portrait Society Gallery Sept 17- Nov 13, 2021.